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Balcar, N. & J. Langlois (2017). Les cellulos, éléments de films d’animation (1930-1990) Identification des films et couches picturales. Rapport no. 35139 La Cinémathèque francaise, musée du Cinéma. Paris: Centre de Recherche et de Restauration des Musées de France.
Boitaud, C. (2018). Les cellulos de patrimoine du cinéma d’animation en conservation (Master thesis). Université Bordeaux Montaigne, Bordeaux.
La Cinémathèque française. (2018). Fiche constat pour celluloids peints et/ou decor associe. Paris: La Cinémathèque française.
La Cinémathèque française. (2018). Fiche constat pour documents papier (Matériel pour préparation dessin animé). Paris: La Cinémathèque française.
La Cinémathèque française. (2018). Gloissaire des alterations celluloid peints. Paris: La Cinémathèque française.
Crafton, D. (2018, October 1) Out of the Cave: The Vaudeville Version of Winsor McCay’s Gertie (1924). (Blog post) Retrieved from https://blog.animationstudies.org/?p=2695
Dreyfuss-Deseigne, R. (2017) Nanocellulose Films: Properties, Development, and New Applications for Translucent and Transparent Artworks and Document. The Book and Paper Group Annual 36.
Henderson, S. (2018, April). Philosophy in Motion: A Call for the Creation of a Joint Philosophy and Establishment of an International Council on Animation Archives, Animation and Philosophy. Paper presented at Society for Animation Studies Symposium 2018: Animation and Philosophy, Stuttgart, Germany.
Hoeyng, K., Etyemez, S., Mazurek, J., Carta, K., McCormick, K., Phenix, A., & Schilling, M. (2016). Observations from a Condition Survey of Walt Disney Animation Cels, 14.
Hoeyng, K., Etyemez, S., McCormick, K., Schilling, M., & Phenix, A. (2016). Curling, ripples, dimples: Observations from a condition survey of animation cels. Studies in Conservation, 61(sup2), 294–296.
Höyng, K., & Rapoport, E. (2015). Animation Cels of teh German Institute for Animated Film from 1968: Consolidation of Alkyd Resin and Polyvinyl Acetate Paint Layer on Cellulose Acetate. In T. Bechthold (Ed.), Future Talks 013: Lectures and Workshops on Technology and Conservation of Modern Materials in Design (p. 8). München: Die Neue Sammlung.
Izzo, F. C., Carrieri, A., Bartolozzi, G., Keulen, H. van, Lorenzon, I., Balliana, E., … Picollo, M. (2018). Elucidating the composition and the state of conservation of nitrocellulose-based animation cells by means of non-invasive and micro-destructive techniques. Journal of Cultural Heritage.
Klein, L. (2016). Le ‘Cimetière d’astronefs’ Étude et conservation-restauration d’une maquette de décor de Mario Garbuglia, réalisée en 1967 pour le film Barbarella […]. Institut National de Patrimoine, Paris.
Klein, L. (n.d.). La conservation préventive des ‘cellulos’ de dessin animé. Institut National de Patrimoine, Paris.
Lémerige, F. (2012). La collection des dessins d’animation de la Cinémathèque française: la conservation des cellulos. Retrieved from http://h5468.novius.net/fr/musee-collections/actualite-collections/restauration-numerisatio/collection-dessins-anima.html.
Lémerige, F. (2015). Il était une fois. Une charmante bergère et un petit ramoneur de rien du tout… In Marny, D., Martin-Pigalle, R. & Rocca, R. (Eds.) Contes de fées de la tradition à la modernité (p.44). Gent: Snoeck.
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Lémerige – 2018 – Preserving the Animation Cels in the Graphic Arts .pptx. (n.d.).
Lémerige, F. & Balcar, N. (2014). Conserver les cellulos au sein de la collection des dessins d’animation de la Cinémathèque française. In S. Roffat, M. Pruvost-Delaspre, S. Denis, C. Duchet, & L. Merijeau (Eds.) Archives et acteurs des cinémas d’animations en France (pp.113-121). Paris: L’Harmattan.
Peters, M., & Bosma, P. (2011). The Dutch Animation Collection: a work in progress. Animation Practice, Process & Production, 1 (1) 169-190.
Pichard, H. & Lémerige, F. (2014). Don dessins de Paul Grimault. Retrieved from http://www.cinematheque.fr/article/14.html.
Stewart, J. (2012). Starting Steps: Discovering the Halas & Batchelor Collection at the BFI National Archive. Journal of Film Preservation, (86), 103–108.
Stewart, J. (2014). Artist, Writer and Animator. In V. Halas (Ed.), Joy Batchelor 1914-1991: Artist, Writer and Animator (p. 100). London: Southbank Publishing.
Stewart, J. (2017). Robin Hood and the Furry Bowlers: Animators vs Advertisers in Early British Television Commercials. In N. De Klerk, P. Vonderau, & B. Florin (Eds.), Films that Sell: Moving Pictures and Advertising (pp. 239–250).
Stewart, J., Clarke, Laura, & Gyger, P. (2017). Indistinguishable from Magic: the Technology of Illusion in Science Fiction Special Effects. In Into The Unknown Exhibition Catalogue (p. 4). London: Barbican International Enterprises.
Wolff, G. (2014). Le cellulo: prodédés techniques, identification et altérations spécifiques (Research Report) (p. 46). Marseille: Centre National des arts Plastiques.
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